Anacare Case Study

Clinic posters and social media templates for Anacare, designed to connect an already-operational NGO with a community that didn't know how to reach it.

Print and Editorial

01: Concept

Anacare is an animal NGO operating in Mumbai, and this project addresses the disconnect between the organisation and the community it serves. Mumbai holds an estimated 95,000 street animals alongside a population of over 20

million people, most of whom don't know how to respond when an animal is injured or in distress. The gap here isn't a lack of care — it's a lack of communication reaching the right audience at the right moment.

02: Process

Anacare's brand – website, colour palette, and logo – was already finalised before this project began, so redesigning the identity wasn't an option. Instead, the work required reverse-engineering a coherent visual system from what already existed, identifying what functioned well and what needed formalising within those fixed constraints.


Research meant visiting the clinic directly, observing how the space was used, and mapping the team's actual workflow to locate where communication was breaking down. Four distinct audiences emerged from that research: clinic visitors, potential adopters, the social media following, and the Anacare team itself, each needing a different kind of communication support.

03: Iterations

The work split into two phases based on audience need. Phase one addressed the clinic directly — six to eight A4 posters covering myths about street animals, correct approaches to handling scared dogs and cats, and the adoption process, designed for quick readability in a physical space. Phase two shifted to Canva-based social media templates, built for rescue stories and awareness content the team could produce without extensive design input each time. Both phases went through several drafts to strip unnecessary text and prioritise scannability, since neither format allows for lengthy explanation.

04: Outcome

Phase one delivered a poster set installed at the clinic, addressing the most common points of confusion visitors and volunteers encountered.

Phase two produced a template system in Canva, paired with a workshop so the Anacare team could maintain consistent social media output independently, without relying on outside design support for every post.

05: Key Takeaways

Good design doesn't always mean building something new, sometimes it means understanding existing constraints and working precisely within them rather than against them. Systems built to outlast the designer's involvement matter more than any single deliverable looking polished. Constraints imposed by a pre-finalised brand forced a level of precision that a blank slate wouldn't have demanded.

Timeline

16 Weeks (2024)

Team

Team Project

Contribution

Full project

Type of Project

Print & Editorial

01: Concept

Early sketches tested full-bleed imagery, split columns, and type-led layouts before landing on a consistent duotone treatment to unify all 52 entries.

02: Process

The project began by identifying 52 concept pairs that could each be anchored to a real historical artwork or scientific illustration, spanning astronomy, anatomy, botany, and beyond.


Once the pairs were locked, the challenge shifted to layout: how do you make 52 entries, each pulling from a completely different visual source, feel like one cohesive book rather than 52 unrelated posters?

Science and art have never been separate. Anatomists needed artists to record what they saw. Astronomers needed illustrators to map the sky. The glossary explores the symbiotic relationship between scientific progress and artistic innovation. 


Through pairing 52 scientific and artistic concepts across the full alphabet, from alchemy to zoology, each entry is based on a historically significant artwork or scientific illustration.

Before landing on the final look, multiple type styles were tried and dropped. Such as cut-out blackletter, glowing gothic type, and oversized single letters lit from behind. Full-bleed images, split columns, and type-heavy layouts were also tested.


Some versions used bold colours; others went almost colourless. Each idea was pushed as far as it could go, then pulled back until it actually worked.

04: Final

In the end, two colours per letter and a consistent halftone texture were used for the whole book. Duotone was chosen deliberately over full colour to represent how the two vastly different fields can merge together in order to create something beautiful.

The deliberate choice to use a duotone effect rather than the original full-colour images unified wildly different historical artworks such as Rembrandt, Escher and da Vinci into a single visual register, making the book feel like a designed system rather than a collage.


Constraints, when chosen intentionally, become the strongest design tool.

05: Key Takeaways

03: Iterations

©

2026

By Tanvi Raut